Academic

University of Puget Sound – Director

• My Louisiana Project – C. Rosalind Bell (co-directed and dramaturged with Grace Livingston), fall 2018
• The Seagull – Chekhov, fall 2017
• Twelfth Night, fall 2016
• 365 Days/365 Plays (an evening of plays from this work), fall 2014
• 1620 Bank Street (full production, all versions with Grace Livingston as co-director and dramaturg), fall 2012)
• The Trip to Bountiful, spring 2011
• As You Like It, fall 2011
• 1620 Bank Street (reading #2), fall 2010
• The Skin of Our Teeth, fall 2009
• 1620 Bank Street by C. Rosalind Bell (reading #1), fall 2008
• The New Orleans Monologues (full productions; all versions with Grace Livingston in the lead role of Elaine Madonna Bergeron), winter 2008 at Broadway Center for the Performing Arts,
• fall 2007 at Puget Sound; The New Orleans Monologues (reading #2), winter 2007; The New Orleans Monologues by C. Rosalind Bell (reading #1), fall 2006
• A Midsummer Night’s Dream, fall 2006
• Angels in America, Part I, fall 2004
• Wild Goose Circus by Russell Davis, spring 2004
• If I Should Die Before I Wake: Three Short Plays by Thornton Wilder, fall 2002
• Three Sisters, fall 2000
• Vinegar Tom, fall 1999
• Our Town, fall 1998
• Our Country’s Good, fall 1997
• The Sea Gull, fall 1996
• Twelfth Night, fall 1995
• Dandelion Wine, spring 1995
• University of Puget Sound/Dramaturgy
• My Louisiana Project by C. Rosalind Bell (co-dramaturgy with Grace Livingston); 1620 Bank Street by C. Rosalind Bell, 2008-2012 (with Grace Livingston as co-dramaturg and director); The New Orleans Monologues by C. Rosalind Bell, 2006-2008; Chism Seminar in Contemporary Theater and Performance, spring 2000

Villanova University – Director

Midsummer Night’s Dream, spring 1994
The Cat Is Dead (new play), spring 1993
Plays-In-Process I, Artistic Director, New plays by Jules Tasca, Steve Shade, and David Rabe, fall 1992
Master Harold and the Boys, spring 1992
The Birthday Party, spring 1991
Butchers (new play), fall 1989; spring 1993

Dramaturg, Shakuntala, ACTF recognition, fall 1989; dir. Hedda Gabler, (prem. of new translation), spring 1989; co- moderator, The Playwrights’ Group at Villanova, fall of 1990 to 1994

Stanford University, 1982-1988: director, As You Like It; Hippo- lytus (Seneca); No Exit; This Is the Rill Speaking, Pullman Car Hiawatha

Wayne State University, 1975-77: adaptor and dir., Dandelion Wine (Bradbury); dir., Line

Professional

People’s Light and Theatre: dramaturgy Romeo and Juliet, June 2017: one-week residency devoted to cutting the text.

People’s Light and Theatre: dramaturgy, Richard III, winter 2016: one-week residency devoted to cutting the text.

Northwest Playwrights Alliance: directed readings of Bootleg by Bryan Willis, fall 2008, spring 2011

New Harmony Project, New Harmony, Indiana, spring 2005: dramaturg with writer Russell Davis and director Danny Jenkins for two-week residency to work on Mahida’s Extra Key to Heaven

Museum of Glass, Tacoma: dramaturgical consultant for dialogue created for “Glass of the Avant-Garde: From Vienna Secession to Bauhaus,” July 2003

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Museum of Glass, Tacoma: author for interpretive dialogue commissioned by the museum for the exhibit, “The Inner Light: Sculpture of Stanislav Libensky and Jaroslava Brychtova,” July of 2002

Guthrie Theater, Minneapolis: dramaturg, Mark Lamos’ production of Antony and Cleopatra, winter 2001-2002

New Harmony Project, New Harmony, Indiana, spring 2000: dramaturg with writer Russell Davis and director Abigail Adams for two-week residency to work on The Song of Grendelyn

Tacoma Actors Guild, editor, educational dramaturgy for Twelfth Night, 1997-98 season; To Kill a Mockingbird, 1996- 97 season

People’s Light and Theatre: dramaturg, Peter Pan, fall 1993 Arena Stage, Wash., D.C., 1985: assist. dir. to Lucian Pintilie,

Tartuffe
TheatreWorks, Palo Alto, 1985: dir., Foxfire; associate dir., On

the Razzle

Guthrie Theatre, Minneapolis, 1984: assist. dir. to Lucian Pintilie, Tartuffe